It is with a certain sense of anticipation that I opened, in 2017, a new chapter in my then-thirty-year foray into culture.
Through the intuitionX platform, I chose to make public the pursuit of my endeavour—launching a new phase of reflection that rested on the foundation of the program I had initiated in 2011 at my then Berlin art gallery, where I explored, to great personal satisfaction and with considerable public acclaim, the relationship between Modern and Contemporary Art. This intellectual path was first articulated in 2017 in the essay Mythology & Science, written during my final season in Berlin before relocating to Los Angeles in 2018, and then to Dallas in 2021.
With what I considered my research 2.0, I posited that however contemporary art may be, the moment it exists, it immediately enters the past. In essence, the scope of my inquiry thus far had always been directed toward times foregone.
By contrast, I came to realize that we stand at a momentous point in the evolution of our species.
I therefore decided to engage with the fascinating—though at times unsettling—developments in science, while simultaneously examining the ways in which the realization of our dreams might, in fact, be rooted in Antiquity.
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